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Princess Punch

It’s always reassuring to find strong female characters in any fictional medium. All too often, we’re merely portrayed as the passive window-dressing for a male character’s storyline. Just this week, the wonderful Hermione Norris commented on this in an interview for the Graun:

“…There is a lack of true representations of women. I was once on the judging panel for a TV award; all the dramas we assessed that starred men were great big stories, while those that starred women were small-scale domestic dramas. But any of the big stories could have been told from a female perspective…”

In 2007, Warner Bros decreed that they were no longer going to produce movies with a woman as the lead character. Two recent pictures (respectively starring Jodie Foster and Nicole Kidman) had brought poor box-office revenues and President of Production, Jeff Robinov, decided that this must be the fault of the female protagonists. Women everywhere were understandably pissed off. Gloria Allred, noted women’s rights attorney said: “…when movies with men as the lead fail, no one says we’ll stop making movies with men in the lead.”

However, in 2009, Steve Shibuya, along with Zack and Deborah Snyder, began work on Suckerpunch, due to be released by Warner Bros in UK cinemas on April 1st. Two years earlier, Zack Snyder had directed “300”, arguably the most masculine film ever made. Directly contradicting the studio’s stance, he decided that Suckerpunch would be very different: “I already did the all-male cast with 300,” said Snyder, “so I’m doing the opposite end of the spectrum.”

All the main characters in Suckerpunch are women. I haven’t yet seen it myself, but the trailer is certainly intriguing.

What intrigued me even more, however, was the “Disney Punch Mash-Up Trailer” on YouTube. As a child, I was never keen on Disney Princesses. Their innate helplessness and lack of individual personality grated on me and none seemed able to survive without submitting to a handsome stranger on a horse and being led away to be his wife. Each Princess’ story would end when she married. We never got to see what happened after that. It wasn’t thought to matter. All that young girls of my generation ever got to aspire to was the promise that being rescued and housed by a man would inevitably lead to some vague, cloudy, and suspiciously indistinct notion of happy-ever-after.

This idea never seduced me. Even when I was a little Princess myself, I was always far more Wicked Queen than Snow White. In the “Disney Punch Mash-Up Trailer”, the audio from the Suckerpunch preview clip has been expertly matched with scenes from Disney Princess movies. Suddenly, they’re not as pathetic after all.

Watch the “Disney Punch Mash-Up Trailer” here.

Omnomnom

Do you like large, luscious ladies posing with their lunch? Curvaceous chicas with chocolate, cakes, cherries and cream? Fat, fuckable femmes with food? Well, you should wander over to Bust Magazine and have a look at the pictures from photographer Danielle Levitt’s “Roll Play” shoot:

“…What I love about the shoot is that the women are in traditional erotic poses; their bodies simultaneously sexualized, glorified, and often complimented by food. Food is a touchy issue for any women in our size-obsessed and calorie counting culture, but big women especially are shamed when eating in public. The photoshoot features the women savouring both their bodies and their food in the public eye. Their enjoyment of the food sexualized for both viewer and subject.”

Click here to see (a bit NSFW due to big, bare breasts and bums).

Hubba Hubba

A sad story of unfair dismissal from SF Weekly, by Erin Sherbert:

‘A college professor was fired from her teaching job after university officials found out she had a yen for performing burlesque shows.

Sheila M. Addison, an Alameda County resident, received a termination letter from John F. Kennedy University in Pleasant Hill last year for one offence: Performing in San Francisco’s Hubba Hubba Revue, which provides political and social commentary on gender, sexuality, and body image stereotypes.

She has filed a claim against the university, saying that her termination was illegal and the result of gender discrimination. Addison, who holds a PhD and teaches psychology, believed the content of the skits were pertinent; they revealed much about feminist theory and human sexuality.

Addison’s defence is that the events took place off campus — in San Francisco — and she had not ever advertised them to her students. She also used a stage name — so nobody would know it was her.

And here is the real show stopper: Addison says that a male professor also had participated in a show outside the university, and disrobed onstage, yet he was never fired from the university, according to her claim.

She filed a lawsuit in San Francisco Superior Court on Wednesday, challenging the university’s actions. She claims that the stated and actual reasons for her termination “did not constitute ‘good cause’ or ‘just cause'” under California or federal law, according to the complaint.

It wasn’t as if she incorporated it into the college curriculum.’

Original article here.