Tag Archives: feminism

Bad Feminist

Hey! Look! Ms Slide has written a piece for Bad Feminist UK!

Original article here.

‘…Bashing the patriarchy, one scrotum at a time?

Pro-Domme Ms Slide gives her unique insight into being a feminist Dominatrix.

“What do your clients make you do?” asks yet another curious woman, when told what I do for a living.

Of course, I have never been made to do anything. On the contrary. I get to do exactly what I choose, and I get to choose exactly who I do it with. Being a Pro-Domme is all about being in control. If it were any other way, the dynamic would be completely skewed. Yet when a woman embraces her own desires, whether sexually, socially or otherwise, it is assumed that she must only be doing it for the sole benefit of a man.

Yes, I’m a Dominatrix. It’s a job and lifestyle full of contradictions, and over the past decade it’s given me many reasons to pause, scratch my head and philosophise about gender, power and the nature of desire. Granted, this may sound a bit pompous coming from someone who smacks people around for a living.

There’s a widely-held assumption that any woman in this industry must have been mindlessly cajoled into a career like this, that she has probably been trafficked or pumped to the gills with heroin by some shadowy male Svengali and can’t possibly be in control of her own ambitions or sexuality. However, this simply isn’t so.

Much as a lot of what I do is a titillation of sorts, there is no actual sex involved. For me, as for many people, BDSM (bondage, discipline, dominance, submission, sadism and masochism) is more complex than something exclusively genital. For me, BDSM is the tumbling thrill that topples the mind, the tingle down the spine and the glorious lurch of excitement in the stomach. It’s the same urge we get to ride roller-coasters, watch horror films or turn a favourite song up to full volume. There’s something deeply primal about it.

I like to be worshipped, both as myself and as someone representing an archetype that I think is missing in many areas of society. I like to play the role of a Goddess. Of course, girls are brought up not to have these delusions of grandeur, and obviously I don’t consider myself any more divine than any other mortal woman, yet I find play-acting the role thrilling. The majority of my clients, especially those brought up within the most strictly patriarchal versions of Christianity and Islam, come to me through an overwhelming urge to serve a powerful female. The world is uncomfortably masculine, especially when it comes to sex and spirituality. There’s a woman-shaped gap in many people’s perception of power.

At Femdom events such as Club Pedestal and Luxe, both men and women can live, albeit temporarily, in a world where the female is adored. Even in the contrived setting of a BDSM scene event, I feel it addresses the imbalances that we’ve been conditioned to ignore in our normal lives. Dommes are treated with the kind of deference and respect that men normally only reserve for one another. I feel that society would be a far fairer place if gents outside the world of fetish and fantasy I inhabit could grant their womenfolk the same level of admiration.

I certainly consider myself a feminist. People often misconstrue what I do as a hatred of men – as if I’m bashing the patriarchy, one scrotum at a time. This isn’t the case. I have a deep affection for the men (and occasionally women) I play with and it’s important that we both get something out of our time

together.

I may have spent this afternoon punching a gentleman’s testicles for my own amusement, and – to a lesser extent – his, but I don’t think a woman has to be sexually dominant to be a feminist. A sexually submissive woman isn’t betraying the sisterhood at all, if that’s what she’s into, whether she’s bottoming to a man or to another woman. If a woman has the courage to embrace her own fantasies, whether dominant, submissive or anywhere in between, I would deem her feminist principles to be firmly intact…’

Original article here.

Bondage for Freedom

Upmarket erotic emporium “Coco de Mer” was founded by Sam Roddick, whose interview appeared in the Observer this weekend. The shop sells expensive but achingly beautiful items of lingerie and bondage equipment (so, if anyone fancies buying me a present… hintity hint…?) As the daughter of the late Anita Roddick, Body Shop proprietor and pioneer of ethical consumerism – and Gordon Roddick who co-founded the Big Issue – Sam is continuing her parents’ legacy of human-rights activism. The sale of classy kink-fodder is combined with campaigns for sexual education and health for the young, gender equality, an end to sex-trafficking and, working alongside Oxfam, Roddick is fighting the epidemic of sexual violence in war-ravaged Congo. She is also an advocate of sex-positive Feminism – a kind of Feminism that “comes with a pair of really lacy knickers”. If you can afford it, this is kink for a good cause.

Here is part of the description of one particular product from the website:

“Bondage for Freedom is the Activist arm of Coco de Mer.

This set is comprised of a silk satin blindfold with the words “the only real freedom is freedom from fear” and a silk satin wrist restraint inside a cotton drawstring bag. All profit goes to charity.

Bondage for Freedom is a collective of cutting edge creative thinkers whose goal is to provide a FREE creative service for organizations that are fighting for human or environmental rights.

This ever-growing community of geniuses and outlaws are creating irresistible and inspiring films, music and live interactive events and exhibitions. Their goal is to instigate and encourage a tidal wave of sexy, hilarious and hard-hitting masterpieces to raise awareness, effect change and manifest shit-loads of money for non-profit organizations and causes.”

See more here.

Supergirls

From Bitch Magazine:

Bitch Magazine: The Supergirls: A feminist response to catsuits?

Lillia Robinson begins her book Wonder Women: Feminisms and Superheroes with the following observation:

The immanence of an alternative and implicitly feminist mythology in the stories of female superheroes is one of the unexplored aspects of these comics, for the general critical silence around the comics is only deepened when it comes to feminist criticism, which has produced even less study of the form than the pop-culture mainstream.

I think this uniquely uncritical approach–uniquely uncritical, that is, for feminism, which has rarely hesitated to question most other established institutions and verities–is due to the preference for a heroic icon over an understanding of how the representation of such an icon derives from and serves–as well as challenges–the dominant social forces.

Immanence, feminist mythology, institutions and verities, yadda yah….In short, there’s a surprising gap of research, let alone feminist research, on female superheroes from comics. Trina Robbins has turned out some amazing books on women and comics, including one on female superheroes, but she can’t do it alone (and good luck trying to find her work at your nearby Barnes & Noble). That’s why I’m excited about Mike Madrid’s new book The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines not to mention the fantastic online resource he put together to go along with the volume.

From the Supergirls website:

Comic book superheroines bend steel, travel across time and space, and wield the awesome forces of nature. These mighty females do everything that male heroes do. But they have to work their wonders in skirts and high heels.

The Supergirls, a cultural history of comic book heroines, asks whether their world of fantasy is that different from our own. Are the stories of Wonder Woman’s search for an identity, Batwoman and Power Girl’s battle for equality, and Manhunter’s juggling of crime fighting career and motherhood also an alternative sage of modern American women?

The chapters are divided by both different archetypes of female superheroines: “The Queen and the Princess,” “The Girlfriends,” “Sirens and Suffragettes” as well as trends within the comic narratives (superhero moms, superhero sex, and of course, sexy superhero outfits). Madrid’s website has a “Visual Guide” to Supergirls, a great abbreviated reference guide which provides introductions to each era’s supergals, plus briefly places the comics in pop culture context of its time. Seriously—check it out, I got lost for good while somewhere in the Batwoman section.

Things get really exciting in the ’70s!

Although I have nothing besides the Amazon.com sneak peek to go by, it looks like Madrid’s book will be able to fill in the gaps left by the Visual Guide. Hopefully the feminist analysis will suffice, since female superheroes occupy a very specific space that combines empowerment with objectification (so much ass-kicking…so little clothes) and sends mixed messages on femininity (I think this panel of Lois Lane using superpowers to make pancakes for Superman is a pretty good example).

C’mon Lois, there has to be a crime happening somewhere, right?

K. L. Pereira bemoaned the forgotten “feminist” 1940s origins of Wonder Woman in Bitch no. 33 (“Female Bonding: The Strange History of Wonder Woman”), and at the very least Madrid’s book will hopefully bring back the forgotten history of female comic heroes. An excerpt from the first chapter, “A Secret World” starts: “Although the prevalent image of the female comic book crime fighter is that of a sexy nymph in a revealing costume, this was not always the case.” There’s the modestly-dressed Woman in Red, Madam Fatal “the first transvestite crime fighter,” and Red Tornado, aka Ma Hunkel, “…a burly, working class mother who dresses in long johns and a cape, and disguises herself by wearing a cooking pot over her head. Passing herself off as a man, Ma Hunkel stamps out crime in her New York neighborhood, becoming one of the first female superheroes.”

The Red Tornado: Now that’s a second shift!

I’m looking forward to getting my hands on a copy of Supergirls, hopefully it will start some new discussions not just about female superheroes, but their cultural significance in American pop culture, and be able to reach outside feminist audiences. .

..Now when are we gonna get a Wonder Woman movie?!

When Comics and Cleavage Collide [Blogtown, PDX]

Related:

Female Bonding: The Strange History of Wonder Woman

Wonder Woman Animated Movie Premieres at New York Comic Con… And It’s Actually Pretty Wonderrific

Adventures in Feministory: Women’s Comics of the ’70s and ’80s