As a fan of stand-up comedy, I’ve spoken before about the subtle power-exchange between performer and audience. Well, here’s a snippet from a brilliant Spectator article by the also brilliant Nathaniel Tapley on the oft-repeated claim that women aren’t funny:
“…But why do some people prefer male comics? Apart from its having been made acceptable by constantly being recycled in the media, why do people not feel more ashamed about saying that they don’t find half of the population of the world funny? Why would they cut themselves off from a whole swathe of great comedy?
My suspicion is that there is a power relationship at play when you are on stage. It is palpable. If a performer is not in control of the stage then it makes the whole audience uncomfortable. When I’m telling jokes, I’m deciding what your response will be. You are laughing when I prompt you to. You are ceding a certain amount of control over the situation to me because I’m on the stage, and I have the microphone. And if you have a problem with the idea that someone like me should, even briefly, be in control over you, then you won’t laugh on principle, whether you’re a sexist, a racist, or just someone who hates me. (There are apparently loads of you)
Dress it up how you want: if you think that women are not as funny as men, and you nod to yourself sagely whenever any ‘research’ appears to confirm your prejudices, you are a sexist. By definition. You’re making value judgements about someone’s abilities based on their sex. You’re a sexist. Suck it up. Own it. You horrible sexist.
And couching it in your experience isn’t good enough. Just because you can more easily think of male comedians you like, does not make it reasonable to assume that men are funnier than women. If you like Harry Hill, Dara O’Briain and Al Murray, would you really opine loudly that bald people are funnier than the hairy? Middle-aged people more hilarious than the old or young? White people just more laughtastic than all the other races…?”
Full article here.
